Shock of the Old and the Mysteries of Decorum

(Note: I’m going through my old blog and republishing choice articles here. Eventually the old blog will be deactivated.)

Cock and Bull – Damien Hirst

I think art theory is a wank, I despise reading and writing about it. Last night however I found myself on a conversation level discussing art theory, I said something like: I suppose we’re now the Post-Shock* generation. It won’t be long until we become so jaded we’ll be Nietzsche’s last man, epitomising nihilism.

I came to this conclusion as I find the shock movement well and truly banal. Although I never gave it much credence in the first place. Apart from that, the population has been exposed to the internet for at least two generations, where in a matter of keystrokes one can witness videos and images of abuse of humans and animals, of any sexual fantasy one can imagine, of seeing sacred mountains and holy places.

Apparently we’ve been exposed to all the mysteries the world has to offer and if we do observe something sacred we respond to it in jaded manner.

The problem with this behaviour is we fail to see the beauty of it. It’s like owning a painting you really like in your living room, you love that painting, but after years and years of seeing it, it simply becomes part of your environment and no amount of contemplation can return you to the of point feeling you had when you first saw it.

Over exposure in general does this to you. For myself I’ve been experiencing a fear that I’ve seen too much art. I no longer experience the flutters of amazement, of awe, when I look at new art.

Then there are greater implications to this problem. We forget that others have not experienced what we’ve experience. We fail to recognise mystery for what it is and freely talk about things without consideration to the effects it may have on others.

You see this is what I hate about art critics and art writers. When I go to a gallery I never read or listen to the guides, because they are stripping the magic away from the art by dictating what it means to you. The value of art should be found by the admirer alone. Two people can look at one painting and see it in a completely different light.

There are so many voices out there talking about stuff, about movies, TV shows, art – giving away spoilers – that when we’re struck with something that should be just between initiated we fail apply proper decorum.

This is an issue we should all be actively conscious of.

*The Shock Art movement was an art movement in the late 1980 throughout to the 2000’s where artists would deliberately create ‘shocking’ art to arouse the public’s emotions and cause controversy.


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